*The Yellow side of a Crispix
The week's coming to a halt. It's Thursday, I have one class left and none following that until Monday and tomorrow's payday and I have Sunday off of work.
*The Brown side of a Crispix
Workshop didn't go as well as I would've liked it to the other day. However, I won't have to necessarily write a capstone project until the fall. I may write one over the course of the Spring though, to gauge an inner sense of theme.
*The Cooked Goldfish Cracker
The likelihood of being inebriated is looked up towards this evening. Following the initial inebriation, I may be holding a guitar somewhere whilst in the company of Jen, a few old friends, and an element of commonplace notoriety.
*The Paned Pretzel
Providing that the Olympus 8-Megapixel Camera goes on sale this weekend, I may be able to purchase it. That would be swell.
Ooo!, also
I now have a copy of "Something Singed," thanks to university copying services.
*The Pretzel (though much wider, portioned as well) Loafed
I convinced the housemates after a well thought out argument made at 3am the other night with a threat written in blue dry/erase marker on the bathroom mirror that I'd "be turning on the furnace unless they could provide me one valid reason why I shouldn't." This dispute was the follow-up to a comment made by said housemate P, that "we're not turning it on until December first, maybe you should consider gaining a little fat to keep you warm, because everyone else is," and the thermometer reading 45 degrees in my bedroom. These types of things aren't easy to sleep over--the cold, not the argument. And No, motherfucker. Remember, I have a metabolism. Because I'm only permitted to sleep 6.5 hours each night and attend college classes more than you do. There, I said it.
*The Half-Sociable/Half-unSociable Wheat Cracker
J. Olsen and I have been drawing up our constructional blueprints to a plausible bar / cocktail lounge for his bedroom to build this winter. In which the lounge may or may not be apt to recreate a sense of the 1988 Movie "Cocktail" setting clashed with a 1920's sense of being broke, producing and consuming, Bathtub Gin. My overall task is to provide a name for such an object. "Ha, who said Liberal Arts students made poor builders and overall contributers to middle-class society."
Also, J. Olsen and I have reinvented the wheel, and by wheel, I mean Bartering System of Economics (or, BSE), with one major ideology and that being: "I will never reveal the secrets of the Wu-Tang Clan."
*The "wilke" written on the cover of said container:
My mother informed me the other day, over a phone call about cell phone bills and my younger sister's, that she thinks I should switch jobs. Or, in other words, go back to the Grizzlebee's over Christmas break as--you've just got the opportunity there to make so much more. Your resume might suffer but your bank won't.
We'll see.
also, She brought it up to me, not vice versa.
--
Everything sort of balances itself out. I could really use something to wash this down, despite it. Maybe I'll make soup tonight.

4 comments:
No offense to your Moms, but if you go back to Grizzle's I will hunt you down and hurt you.
Oh yeah and good job on scorin' "SS" but it has a new name with three whole new poems now. I'm thinking I should rerelease it, just like when you buy an album and then four days later it comes out with new shit on it. Because that never sucked.
Oops! Tense shift!
I disagree with steena for the following reason:
1. I will be at Grizzlebee's over break.
Be there too.
Well, the place I currently work at is paying me 8.50/hr to be an assistant manager and I've been losing money since I left the grizzlebee's. Kim's being investigated and I think something might come of it, but what I'd really like to do is gradually come back to the Grizzle. That's fine that you'd like to hurt me Steena, but we'll talk about that over the phone.
wha??
Kim's being investigated? Can you spill? Do you know any details?
I haven't talked to her in a loooong time. Nate was the one "rehiring" me or whatever.
oh well...you do what you gotta do.
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